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Chas. H. Hansen Music Corp. was an influential American music publisher founded by Charles Henry Hansen (1913–1995) in 1952 and incorporated in New York. Its music covered a broad spectrum of genres that included classical (opera, orchestra, band, choral, chamber, and solo), jazz, folk, rock, country, popular, educational — and music text books. For Beatles fans, the firm was widely known for having been the sole U.S. publisher and distributor of Beatles sheet music, beginning 1966. By the 1980s, Hansen Music ventured away from the pop field, focusing on classics and jazz method books.〔 The firm, in 1980, was also operating 7 retail sheet music stores — two in San Francisco, three in Seattle, and two in Las Vegas.〔 The name — Charles Hansen Music & Books, Inc. — became inactive in 1991.〔〔 Hansen House Music Publishers — a Florida registered fictitious name of Hansen Publications, Inc. — became inactive December 31, 2009.〔 Hansen House still has an active web page () and the contact person listed is Ramon Duran. The larger part of the Charles Hansen catalog was acquired by Warner Brothers Publications, then subsequently sold to Alfred Publications. According to Billboard in 1972, Wometco, headed by Mitchell Wolfson, had a pending offer to acquire Hansen, retaining Hansen and his staff.〔 == History highlights == ; Initial incorporation The firm — incorporated on December 11, 1952, by Charles Henry Hansen — was the outgrowth of an earlier proprietorship founded by Hansen in 1946 named the Charles Hansen Music Company.〔 Hansen was the sole owner of both firms and was also the owner of Ethel Smith Music Corp., a New York corporation founded in 1949 and dissolved in 1991. Hansen formed several partnerships with artists and other publishers, mostly for the purpose of distributing folios of hits. ; Cultivation of composers and arrangers Hansen hired and trained young composers and arrangers, including Nathan East, Walter Beeler, Alfred Reed, John Edmondson, Anne McGinty, Frank Hackinson, John Brimhall, Jodi Atwood, and Charlies Minarelli and Michael Tchaban. ; Folio reprint business By 1950, Hansen Music had become an influential music folio reprinter of hit music of other publishers — a growing niche market that had erstwhile been led by larger firms. The Hansen folios included simplified scoring of popular music for elementary piano, uke, trumpet, clarinet, saxophone, accordion, trombone, Western quartets, sacred choir, and barbershop quartets.〔 The publishing of sheet music, single and folio, had become a near monopoly by a few large companies. The youngest, founded in 1971 by a longtime ''protégé'' of Charles Hansen, Frank Hackinson, was Screen Gems—Columbia Publications. The others were Charles Hansen Publications, Warner Brothers Music, and the oldest, Big Three Music, owned by United Artists. Working out of fully equipped and self-contained facilities in Florida, with staffs and arrangers, Screen Gems and Hansen accounted for about two-thirds of the industry's $140 million annual retail gross sales.〔 A fundamental difference between Screen Gems and Hansen was that Screen–Gems mostly owned the copyrights to the music of its folios, whereas Hansen mostly licensed the copyrights. Early on, in 1954, Hansen Music acquired the Caribbean Music Catalog from publisher Joe Davis (1896–1978), containing 500 tunes, of which, 150 were published.〔 However, it is unclear whether the deal was done as an acquisition or a license. On May 20, 1971, the firm changed its name to Charles Hansen Music & Books, Inc. The firm became inactive December 24, 1991. ; Legitimate fake books Hansen Music was the first to delve deeply into published legal fake books that had enough songs for serious musicians.〔 Fake books published: # ''1001 Jumbo Song Book'' (1972); :: Revised (1977); # # ''The 666 Popular fake song book'' (Books 1 & 2) (1967); # ''Real Fake Book: For All Popular Instruments: 202 Popular Songs, Combo Style'' (1966); By the late 1970s, the publishing of legal fake books by Hansen Music and others achieved through competition assimilation what the copyright laws miserably failed to do through prohibition. In the vernacular of jazz musicians, “legit” often means “classical.” But in the vernacular of this topic, “legit” and “real” means “legal.”〔 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Chas. H. Hansen Music Corp.」の詳細全文を読む スポンサード リンク
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